Thursday, June 26, 2008

computer

It is difficult to identify any one device as the earliest computer, partly because the term "computer" has been subject to varying interpretations over time. Originally, the term "computer" referred to a person who performed numerical calculations (a human computer), often with the aid of a mechanical calculating device.

The history of the modern computer begins with two separate technologies - that of automated calculation and that of programmability.

Examples of early mechanical calculating devices included the abacus, the slide rule and arguably the astrolabe and the Antikythera mechanism (which dates from about 150-100 BC). The end of the Middle Ages saw a re-invigoration of European mathematics and engineering, and Wilhelm Schickard's 1623 device was the first of a number of mechanical calculators constructed by European engineers. However, none of those devices fit the modern definition of a computer because they could not be programmed.

Hero of Alexandria (c. 10 – 70 AD) built a mechanical theater which performed a play lasting 10 minutes and was operated by a complex system of ropes and drums that might be considered to be a means of deciding which parts of the mechanism performed which actions - and when.[3] This is the essence of programmability. In 1801, Joseph Marie Jacquard made an improvement to the textile loom that used a series of punched paper cards as a template to allow his loom to weave intricate patterns automatically. The resulting Jacquard loom was an important step in the development of computers because the use of punched cards to define woven patterns can be viewed as an early, albeit limited, form of programmability.

It was the fusion of automatic calculation with programmability that produced the first recognizable computers. In 1837, Charles Babbage was the first to conceptualize and design a fully programmable mechanical computer that he called "The Analytical Engine".[4] Due to limited finances, and an inability to resist tinkering with the design, Babbage never actually built his Analytical Engine.

Large-scale automated data processing of punched cards was performed for the U.S. Census in 1890 by tabulating machines designed by Herman Hollerith and manufactured by the Computing Tabulating Recording Corporation, which later became IBM. By the end of the 19th century a number of technologies that would later prove useful in the realization of practical computers had begun to appear: the punched card, Boolean algebra, the vacuum tube (thermionic valve) and the teleprinter.

During the first half of the 20th century, many scientific computing needs were met by increasingly sophisticated analog computers, which used a direct mechanical or electrical model of the problem as a basis for computation. However, these were not programmable and generally lacked the versatility and accuracy of modern digital computers.
A succession of steadily more powerful and flexible computing devices were constructed in the 1930s and 1940s, gradually adding the key features that are seen in modern computers. The use of digital electronics (largely invented by Claude Shannon in 1937) and more flexible programmability were vitally important steps, but defining one point along this road as "the first digital electronic computer" is difficult (Shannon 1940). Notable achievements include:
* Konrad Zuse's electromechanical "Z machines". The Z3 (1941) was the first working machine featuring binary arithmetic, including floating point arithmetic and a measure of programmability. In 1998 the Z3 was proved to be Turing complete, therefore being the world's first operational computer.
* The non-programmable Atanasoff–Berry Computer (1941) which used vacuum tube based computation, binary numbers, and regenerative capacitor memory.
* The secret British Colossus computers (1943)[5], which had limited programmability but demonstrated that a device using thousands of tubes could be reasonably reliable and electronically reprogrammable. It was used for breaking German wartime codes.
* The Harvard Mark I (1944), a large-scale electromechanical computer with limited programmability.
* The U.S. Army's Ballistics Research Laboratory ENIAC (1946), which used decimal arithmetic and is sometimes called the first general purpose electronic computer (since Konrad Zuse's Z3 of 1941 used electromagnets instead of electronics). Initially, however, ENIAC had an inflexible architecture which essentially required rewiring to change its programming.

Several developers of ENIAC, recognizing its flaws, came up with a far more flexible and elegant design, which came to be known as the stored program architecture or von Neumann architecture. This design was first formally described by John von Neumann in the paper "First Draft of a Report on the EDVAC", published in 1945. A number of projects to develop computers based on the stored program architecture commenced around this time, the first of these being completed in Great Britain. The first to be demonstrated working was the Manchester Small-Scale Experimental Machine (SSEM) or "Baby". However, the EDSAC, completed a year after SSEM, was perhaps the first practical implementation of the stored program design. Shortly thereafter, the machine originally described by von Neumann's paper—EDVAC—was completed but did not see full-time use for an additional two years.

Nearly all modern computers implement some form of the stored program architecture, making it the single trait by which the word "computer" is now defined. By this standard, many earlier devices would no longer be called computers by today's definition, but are usually referred to as such in their historical context. While the technologies used in computers have changed dramatically since the first electronic, general-purpose computers of the 1940s, most still use the von Neumann architecture. The design made the universal computer a practical reality.
Vacuum tube-based computers were in use throughout the 1950s. Vacuum tubes were largely replaced in the 1960s by transistor-based computers. When compared with tubes, transistors are smaller, faster, cheaper, use less power, and are more reliable. In the 1970s, integrated circuit technology and the subsequent creation of microprocessors, such as the Intel 4004, caused another generation of decreased size and cost, and another generation of increased speed and reliability. By the 1980s, computers became sufficiently small and cheap to replace simple mechanical controls in domestic appliances such as washing machines. The 1980s also witnessed home computers and the now ubiquitous personal computer. With the evolution of the Internet, personal computers are becoming as common as the television and the telephone in the household.

Computer Music

Much of the work on computer music has drawn on the relationship between music theory and mathematics. The world's first computer to play music was CSIRAC which was designed and built by Trevor Pearcey and Maston Beard. Mathematician Geoff Hill programmed the CSIRAC to play popular musical melodies from the very early 1950s. In 1951 it publicly played the Colonel Bogey March, of which no known recordings exist. However, CSIRAC played standard repertoire and was not used to extend musical thinking or composition practice which is current computer music practice.

The oldest known recordings of computer generated music were played by the Ferranti Mark I computer, a commercial version of the Baby Machine from the University of Manchester in the autumn of 1951. The music program was written by Christopher Strachey. During a session recorded by the BBC, the machine managed to work its way through Baa Baa Black Sheep, God Save the King and part of In the Mood. Subsequently, Lejaren Hiller (e.g., the Illiac Suite) used a computer in the mid 1950s to compose works that were then played by conventional musicians. Later developments included the work of Max Mathews at Bell Laboratories, who developed the influential MUSIC I program. Vocoder technology was also a major development in this early era.

Early computer music programs typically did not run in real-time. Programs would run for hours or days, on multi-million dollar computers, in order to generate a few minutes of music. John Chowning's work on FM synthesis, in the early 70s, and the advent of inexpensive digital chips and microcomputers opened the door to real-time generation of computer music. By the early 90s, the performance of microprocessor-based computers reached the point that real-time generation of computer music using more general programs and algorithms became possible.

Advances

Advances in computing power have dramatically affected the way computer music is generated and performed. Current-generation micro-computers are powerful enough to perform very sophisticated audio synthesis using a wide variety of algorithms and approaches. Computer music systems and approaches are now ubiquitous, and so firmly embedded in the process of creating music that we hardly give them a second thought: computer-based synthesizers, digital mixers, and effects units have become so commonplace that use of digital rather than analog technology to create and record music is the norm, rather than the exception.

Research

Despite the ubiquity of computer music in contemporary culture, there is considerable activity in the field of computer music, as researchers continue to pursue new and interesting computer-based sythesis, composition, and performance approaches.Throughout the world there are many organizations and institutions dedicated to the area of computer and electronic music study and research, including the ICMA (International Computer Music Association), IRCAM, GRAME, SEAMUS (Society for Electro Acoustic Music in the United States), and a great number of institutions of higher learning around the world.

Jewellery

Jewellery (also spelled jewelry, see spelling differences) is a personal ornament, such as a necklace, ring, or bracelet, made from gemstones, precious metals or other materials.

The word jewellery is derived from the word jewel, which was anglicised from the Old French "jouel" around the 13th century. It has also been suggested that the word is deriverd from "Jew", as the Jews were important jewelry artisans of that time. Further tracing leads back to the Latin word "jocale", meaning plaything. Jewellery is one of the oldest forms of body adornment; recently found 100,000 year-old beads made from Nassarius shells are thought to be the oldest known jewellery.

Although during earlier times jewellery was created for practical uses such as wealth, storage and pinning clothes together, in recent times it has been used almost exclusively for decoration. The first pieces of jewellery were made from natural materials, such as bone, animal teeth, shell, wood, and carved stone. Jewellery was often made for people of high importance to show their status and, in many cases, they were buried with it.

Jewellery has been made to adorn nearly every body part, from hairpins to toe rings and many more types of jewellery. While high-quality is made with gemstones and precious metals, there is also a growing demand for Art jewelry where design and creativity is prized above material value. In addition, there is the less-costly costume jewellery, made from less-valuable materials and mass-produced. New variations include wire sculpture (wrap) jewellery, using anything from base metal wire with rock tumbled stone to precious metals and precious gemstones.




Sunday, June 15, 2008

Playing the EuroMillions Lottery Game


EuroMillions is a pan-European lottery, which was first launched by France, Spain and Camelot in the United Kingdom. The first EuroMillions drawing took place on Friday February 13, 2004 in Paris. In October of 2004, 6 more lotteries, from Austria, Belgium, Ireland, Luxembourg, Portugal, and Switzerland joined, making Euro Millions a 9 lottery game. EuroMillion drawings every Friday night in Paris. A standard EuroMillions ticket costs 2 pounds per line played. Prizes, besides the jackpot, are sized according to participation per country.

Playing EuroMillions

Do you live in Europe and are itching to have some fun?! If so, you'll definitely want to check out EuroMillions. EuroMillions is easy to play and loads of fun. To play EuroMillions, you simply select five main numbers from 1 to 50 and two Lucky Star numbers from 1 to 9. Any person 18 and over can play EuroMillions. In the UK, persons 16 and over can play. The odds of winning a EuroMillions prize are 1 in 24. If you match all 5 main numbers and both Lucky Star numbers, you win the jackpot!

Why Should You Play EuroMillions

Not only is EuroMillions an exciting game to play with great chances of winning a cash prize, it also benefits players and their countries. While 50% of the winnings go back to winners in the form of prizes, a whopping 28% of the winnings go back to the participating countries for their respective Good Causes, as determined by the respective governments. When you play EuroMillions, you will not only have fun, you'll also be supporting a great cause!

Some EuroMillions Big Winners

In July of 2005, after rolling over nine times, the biggest jackpot every won by a single person was won by Delores McNamara in Ireland. McNamara, who won $152 million and is a 45 year old mother of six remains the biggest individual winning in the history of EuroMillions.

In August of 2007 there were two huge EuroMillions winners. On August 10th, Angela Kelly, a 40 year old former postal administrator and resident of Scotland won a jackpot of 35.4 million pounds. This is the largest lottery win to ever occur in the UK. Not even a month later, on August 31st, Voccaro Joseph, a French guitarist won 29.1 million pounds.

These are examples of the way EuroMillions has transformed the lives of people just like you. You too, can win the EuroMillions and transform your own life!

Buying EuroMillions Tickets

If you want to play EuroMillions, you can go to any lottery terminal or log onto the official EuroMillions website. You can also log onto your official state website to purchase EuroMillions and other lottery tickets. These sites explain how to purchase tickets, and often times tickets can be purchased online so you can play most state lotteries from the comfort of your own home. You can also refer to official state websites for custom lottery news. Many sites offer lottery number generators to help make your lottery number picking easier for you. If you would like to purchase your tickets in person, you can also visit a local lottery terminal. No matter how you choose to purchase your tickets, or which tickets you choose to buy, you're bound to have some fun!

What Kind Of RC Helicopter Should You Buy?

Seeing RC helicopters fly is always exciting, so much so that you probably want to buy one and start out in the hobby. If that is the case, then there is one big question you must answer: "what kind of helicopters should I buy". The fact is that long gone are the days when RC helicopter came in one type: the big, expensive, hard to fly, hard to maintain, nitro-powered kind.

Now a days, there are a lot of choices to choose from whether it is a full-size nitro model, a full-size electric model, a palm size fully functioning 4 channel helicopter, a 4-channel co-axial electric helicopters, or a limited capability 2 and 3 channel ones just to name a few. Because of all these choices, the question "what kind of helicopter should I buy" becomes quite vital and not so simple. Make the wrong choice and you'll likely end up with a helicopter that does nothing but collect dust. Here are some things you should consider in order to find out which type of helicopter is right for you.

- Get the right size.

The very first thing you should consider is how big of a helicopter you should get. Helicopters come in different size ranging from one that fits on your palm to one that is half the size of a real helicopter. An easy way to figure out which size is right for you is to ask yourself: "Where would I be flying?"

Where you plan to fly is probably the most overlooked aspect when people buy their helicopters for the first time. The reason is that usually people want to go for the "cool" helicopter that is as big as their budget could afford. Well, that is great if you are primarily an outdoor flier, but that makes absolutely no sense if you would end up flying indoor most of the time. If flying inside the comfort of your house is your cup of tea, then obviously getting a smaller helicopter is more logical.

- Know how committed you plan to be.

The level of commitment you plan to be with this hobby is one of the most decisive factors when it comes to choosing the type of helicopter to buy. A lot of people spend a lot of money on an expensive standard size helicopter only to find out later that they only have one or two hours a week to play around with it - which is not enough time to be a competent enough pilot to fly such models enjoyably. So this is what a lot of old hand hobbyist would recommend: If you plan to fly just for fun after work or casually on the weekends, then a co-axial model would be best.

On the other hand, if you plan to delve full-steam ahead into the hobby, fly your helicopter every chance you get, and maybe even fly competitively later on, then by all means get those expensive models right off the bat.

- Choose a model where service and parts are available.

When buying a RC helicopter, one of the most important aspects to consider is whether or not your local hobby store or hobby groups are able to support the particular model in terms of knowledge and spare parts.

A lot of people order RC helicopters online because they could get it cheaper only to find out later when it breaks down that the only way to get replacement parts is to order online once again. Needless to say this can lead to deep frustrations. Make sure that doesn't happen to you by visiting your local hobby store and get a feel of what brand/models are favored. In doing so, you can rest assured that the particular model/brand will have abundant of spare parts and support base for you any time you need it.

Last but not least, always remember to consider your budget. While RC helicopter is a very enjoyable hobby, costs can run very high if you're not careful. Buy models that you can afford and you will be able to enjoy flying with a peace of mind.

A helicopters are more popular and affordable than ever now that battery powered models are available. Learn and discuss about electrically powered RC helicopter at http://www.electric-rc-helicopter.com

Tip To Play Online Casino

Playing at online casinos requires very few things to get started. There is no luggage to pack and traveling expenses one needs to incur. Flying down to Las Vegas, or Macau to visit the Venetian Palace is a good experience, but if we just want to enjoy the thrill of making money from just a computer online casinos are the way to go!

Here are a few things you'll need before you start.

1. Computer and Secured Internet connection

Any standard computer will allow you to play in an online casino. The specs required to run an online casino's software is compatible with all computers including Mac. You'll also want a secured internet connection because when you're dealing with money live over the internet, your confidential details should be protected. Windows comes with a built in firewall to help you in this aspect.

2. Trojan software

There are some trojans called key loggers. What these do is to record down the keys that you type. So for instance, when accessing your online casino account, key loggers will record down your username and password, then send them to the hacker who will then have gained access to your online casino and personal funds. You may have heard of stories of people incurring $1000s in credit card debt because of identity theft. This is very real. You may want to get a good anti trojan software to protect yourself.

3. 3rd party payment

Most credit cards cannot fund an online casino's banking account. So you'll need to get an ewallet. An ewallet allows you to deposit money from your credit card to this account. From this ewallet, you will then transfer funds to the online casino's account. Any money you earn from the online casinos is transferred back to your neteller account. Once the funds have been transferred from your online casino account back to you, you can do anything you like with your winnings. Neteller offers this service.

4. Documents to verify payouts

For the initial payment, online casinos require customers to submit documents such as photocopy of passport. Subsequent payouts can then cash out quickly and easily. This is perhaps the most important criteria because it means money can be conveniently withdrawn.

Once you have the above, finding a good online casino software is important. This ensures fast payouts and good customer support. Also this will allow fair gaming and a seamless way for a person to cash out conveniently and quickly.

The Magic in Live

The magician asked me to pick a card, write my name on it and shuffle it back into the deck. The next time I saw that card it was in a sealed bottle of Fiji water. If you know how he did it, don't tell me. I like to be tricked.

I like to watch magicians make things disappear. I don't want to know how the woman disappeared from a locked trunk or how the tiger disappeared from a box suspended over the stage. Of course, my liking to be tricked might explain why I buy things like anti-wrinkle creams.

Because I want to make my life magical, I buy new products that promise to remove stains, make clothes smell fresh and make furniture shine. Most of these products come in spray containers - which enable me to put the press into prestidigitation.

When I was a child, I was told please and thank you were magic words. I told my sons the same thing. I also told them to mind their P's and Q's. When my sons asked what P's and Q's were, I said pints and quarts. Before I could explain further, my older son said minding your P's and Q's meant drinking eight glasses of water a day.

A fairy godmother turned a pumpkin into a coach, an elephant flew, a girl was kissed awake by a prince - Walt Disney provided many magical moments - but they looked different to me as an adult. Bambi, Dumbo, The Lion King - why did so many mothers die? Why weren't there any evil stepfathers or wicked warlocks? I didn't want to think Walt Disney was a misogynist; but if anything had happened to Minnie, I would have thought he was a mouseogynnist.

Although I've never seen a female magician on stage, I see them every day. Instead of cutting ropes, they cut corners. Instead of pulling rabbits out of hats, they pull dinners out of microwaves. The card tricks are performed with credit cards and a man is cut in half with - well, that's called divorce.

Some professional magicians do tricks with silk scarves, others use metal rings; but they all use patter. Patter is the quick, glib speech they use to distract the audience from seeing how tricks are done. Not all tricks, however, are done on stage. Some are done on platforms. That's when the patter is campaign promises.

Charlie Chaplin;The Legend


Charlie Chaplin's comedy was rich in creativity and cleverness. His ability to make his audience laugh while touching universal chords of emotions was a rare gift. Perhaps his childhood made him sensitive to the thoughts of other people, or maybe his sad upbringing gave him the motivation to move beyond the limits of poverty. Whatever gave him the momentum to success in the entertainment industry was a blessing that caused millions to laugh with joyful abandon.

Chaplin was best known as the silent &quotLittle Tramp" clown but his fame came over a period of years. Born in London in 1889, he lived with his divorced mother who made a meager living by sewing. She suffered a series of mental breakdowns and was institutionalized on several occasions, leaving Charlie and his older brother, Sidney, to take care of themselves or to live in a government sponsored home.

When Chaplin was 9, he toured with a stage company and had his first taste of life upon the stage. He later took small acting jobs and toured with several troupes. He eventually toured the United States and decided to stay here in 1912. He joined the Keystone Film Studios and, as the expression goes, the rest is history.

At this point in time, it's as if someone fast-forwarded the film of his life. Chaplin had parts in nine movies in only two months. Although his parts were small, his star quickly rose with the introduction of his world-famous tramp character. However, he wasn't content to only act before the camera, he stepped behind the lens to direct as well. At age 25, he directed his first film, &quotTwenty Minutes of Love&quot. This began an interesting segment of his professional life, and one in which he began to combine pathos with comedy.

Chaplin's first full-length movie was &quotThe Kid" and this film secured him a place in history. It showcased his artistic ability and compensated him both financially and with a solid core of fans. Yet, he took a hard hit when he veered into serious fare with &quotA Woman of Paris&quot. By this time, Chaplin and comedy were synonymous and movie viewers didn't want him to change.

Satire was a comedic device used by Chaplin and was most evident in &quotThe Great Dictator" when he took on the dangerous ideas of Adolf Hitler. The German ruler must have appreciated the humorous exposure because it's believed he grew his signature mustache in imitation of Chaplin.

Chaplin's personal life experienced a number of ups and downs, and his failed marriages made news regularly. He was denied re-entry into the United States because of his Communist leanings, yet in that same time period, he was awarded the World Peace Council Prize.

Charlie Chaplin's life was complex, full of dark scenes and heightened emotions. From a childhood of poverty in England to a fortune made in the United States, this comedian perfected his craft with subtle actions and stinging satire. His audience readily accepted his humor because the themes were universal and the situations truly comical. Charlie Chaplin was larger than life and deserves to be a legend.

How To Choose Good Speaker

Composing, recording and reproducing music is not enough; it should reach the ears of the music lovers. And that is why, beside other musical instruments, the speaker is also an important component of the music gear. A speaker is a device through which we receive the sound or the music. Therefore, it is very essential to choose a good speaker that will deliver high quality sound and which has high frequency level like the 2-way speakers and 3-way speakers.

However, most of the speakers of the recent times are engineered to reproduce lively and dynamic digital sources. Having been made in innovative designs, they deliver detailed and powerful sound. Moreover, nowadays there are various options to choose, starting from large floor-standing powered tower speaker to great sounding satellites that will fit in the palm of the hands. However, as the options go on increasing, the choosing has to be done very carefully.

The first step in choosing a good speaker is to decide what kind of speaker is required: whether it is a floor-standing speaker, a subwoofer or satellite system speaker, and an in wall, in ceiling or an outdoors speaker. Actually, choosing the type of speaker will depend on the purpose for which it is going to be used. Now, all these different speakers have different qualities and features. For instance, subwoofers are the tiniest speakers with amazing performance whereas, floor standing speakers are the larger ones with wide range of frequencies and deep bass. Therefore, a proper decision has to be made as to which one to prefer.

One more fact is related to the listening level. High sound does not mean loud noise; it means quality sound with normal listening levels. With this comes the nature of the sound. A good speaker should deliver clear, natural and lively sound with no distortion. And moreover, a good speaker should have the capability to make the illusion of a live performance very believable.

Next thing to decide is whether to choose a branded speaker or a second hand one. This is a matter that depends upon the quality of the speaker. It is not necessary that the imported or branded speakers will be better. Often they prove to be good but features should be checked properly. This is also a fact that the used speakers too are fine sometimes but that needs minute checking. In fact, used speaker is quite inexpensive.

But in case of the speaker required for professional use such as stage performance, television and radio, there are professional speakers available that are technically strong and are highly qualitative. But usually they are expensive.

It is not only the quality of the sound that matters while going for a good speaker. In fact, besides other things, the cabinet is another thing that has to be of excellent quality. Moreover, the cabinet construction has to be good. If the material is low quality plastic or thin timbre in the rears then noise will be more from the cabinet, as they will come from the drivers. If the cabinet is to move plentiful air, it really has to be static and rigid.

What Movie May Have Helped Shape The Energy Policy Of This Nation

The Three Mile Island accident was the most significant in the history of the American
commercial nuclear power generating industry. Living in Pennsylvania at the time of the
accident, I remember it as if it was yesterday. It began on Wednesday,the 28TH of March 1979.It took local, state and federal officals five days to decide what to do with the residents of local communities.

But on March 16th of that same year,just 12 days before this incident at Three Mile Island in
Pennsylvania, a new movie "The China Syndrome" had benn realised.

The China Syndrome is a thriller film which tells the story of a reporter and cameraman who discover safety coverups at a nuclear power plant. It stars Jane Fonda, Jack Lemmon, Michael Douglas, Scott Brady, James Hampton, Peter Donat, Richard Herd, and Wilford Brimley.

Basically the storyline of this movie is about a reporter who finds what appears to be a cover-up
of safety hazards at a nuclear power plant. TV news reporter Kimberly Wells (Fonda) and her
cameraman Richard Adams (Douglas) visit the Ventana nuclear power plant outside Los Angeles as part of a series of news reports on energy production. While viewing the control room from an
observation room, the plant goes through a reactor SCRAM. Shift supervisor Jack Godell (Lemmon) notices what he believes to be an unusual vibration during the SCRAM. Checking their gauges, the control room staff finds that water levels in the reactor core have risen to high levels; they begin opening relief valves in an effort to prevent too much water from damaging the plant.
Eventually Godell takes matter into his own hands and ends up dead after being shot by members of the local swat team after he took over the control room.

The implication that the company's security people are willing to kill to silence a whistleblower echoes allegations made about the death of Karen Silkwood, who died in a 1974 automobile accident while on her way to meet with a reporter to disclose nuclear power safety violations.

In the film, a physicist says that the China Syndrome would render "an area the size of
Pennsylvania" permanently uninhabitable. It resulted, however, in no deaths or injuries to
plant workers or members of the nearby community.

However, following the event, the number of reactors under construction declined every year
from 1980 to 1998. The TMI accident, along with the release of this movie, had a psychological
effect on the nation. Before the accident, 70 percent of the general public approved of nuclear
power. After it, support for nuclear power across the country fell to about 50 percent, where it
remained for decades.

American Idol Status

Past American Idol contestants Clay Aiken, Taylor Hicks, and Kelly Clarkson may have stood up to the pressures of the American Idol competition, but could they handle the stress of the Designer Wedding Challenge.

Wedding professionals from around the United States are gearing up to compete in the Designer Wedding Challenge, a competition inspired by the popular reality television competitions. The contest is set to take place on September 29 and 30, 2006 in Rogers, Arkansas. According to event coordinator Shante Crockett, included in the competition will be at least fifteen florists who will compete in three contests:

* Floral Design Competition: In this contest, florists will pit themselves against one another to design gorgeous bouquets, boutonnieres, and table centerpieces. The task is to create pieces that are functional, beautiful, and unique.

* Tablescape Competition: Contestants here will design elegant table settings including flatware, table linens, and, of course, the centerpiece. The table themes can vary, but all of them should be beautiful and exemplify the chosen theme.

* Interior Design Competition: Using a $20,000 budget, each contestant must design a dream interior setting. This competition is expected to be the biggest contest in the two-day event.

The events will be judged by celebrity event planner Preston Bailey. Awards will be given for first, second, and third place. While there are individual cash prizes as high as $2,500, it's the prestige of being involved that will likely garner the biggest rewards. Glende Wise, owner of the Bamboo Orchid in Poteau, Oklahoma and contest participant, says, "It's especially important for me because my business is new to the area, and I am trying to break into the market."

Other competitions in the event are the Chair Design Competition, Gown Design Competition, Jewelry Ensemble Competition, Cake Design Competition, Photography Competition, and Videography Competition.

2,000 people are expected to attend the Designer Wedding Challenge at a ticket price of $20 each, not including seminars. Attendees who wish to take part in the many seminars that will be available will pay a ticket price of $150 each.

The event is sure to be a real crowd pleaser with all the excitement and suspense of any reality competition currently aired on television. So, if the music of American Idol isn't your bag and you're more of a Martha Stewart fan than a Clay Aiken fan, consider attending the Designer Wedding Challenge

How to turn a bog plant into a serenade

A clarinet is fundamentally a tube which is approximately 2 feet long; in fact it's the same length as a flute or an oboe. The flute has a small hole which you blow across. This makes the air inside the tube start vibrating, (like if you blow across the top of a bottle and hear a note). The oboe and the clarinet, however, use reeds. These are small bits of cane, (or sometimes plastic), which are attached to the top of the instrument. The cane goes in your mouth and you make it vibrate with your lips and jaw; this sets the column of air vibrating, and hey presto a note sounds. (It's very hard to describe how you actually do this because it all happens inside your closed mouth!) You can't play the clarinet (or the oboe or bassoon) unless you have a reed attached to the top, and these essential bits of kit have, unfortunately, quite a short life span. How long a reed lasts depends on lots of things, like how often you play, what brand you're using, and even what the weather's like. (It's a natural material so it's affected by the humidity of the atmosphere).

The Reed you really Need

So now you know you need a reed, off you pop down to your local music shop, or find one online. The first question they'll ask you is what kind of reed do you need? Narrowing it down to just "a clarinet reed" won't get you very far. You have to specify the strength of your reed. And choose a brand. And choose one of a range of reeds within that brand. And how many do you need to buy?

So how can a little bit of cane be so diverse and complicated? How can you possibly choose?! Let's take a look at the first dilemma: Strength.

Reeds are categorised by their thickness, and given a grading from 1 to 5, including half grades. Basically speaking, the thicker the reed, the more difficult it is to produce a note, but the nicer the note will sound. So, if you are a beginner, (and therefore in possession of relatively weak jaw muscles compared to a veteran), you should choose a low number, known as a "soft" reed. Around 1.5 would be good, but go for a 1 if the 1.5 is too difficult to blow on. As you get better, you'll gradually be able to progress to thicker reeds (known as "hard"). To get a decent sound, you need to be playing on a minimum 3.5, and most professionals will be playing on 4.5 to 5s. Personally, I play on a 3.5. OK, let's move on to brand and product:

In the UK there are mainly 2 companies battling it out in the clarinet reed field, and they are Vandoren and Rico. I'll try to make a comparison between them, since your basic purchasing decision will be between these two brands. Here's what Vandoren say about their standard B flat clarinet reeds:

"The most widely played reeds in the professional world."

And here's what Rico claim about their most similar product:

"The world's most popular reed." One thing you may be able to deduce from this is that Vandoren reeds are better and also more expensive. They produce a better tone for professionals, who are more picky about these things than amateurs. However, there are many more amateurs piping away in their bedrooms on a Sunday afternoon than there are professionals, and they tend to choose Rico, so they can't be all bad.

Here's how the prices compare from 2 reputable online firms, for a box of 10, (the normal number you get in a box).

>From www.myatt.co.uk Rico Reeds cost £8.50 and Vandoren cost £11.00

>From www.dawkes.co.uk Rico cost £6.25 and Vandoren cost £10.25

Rico are well ahead in the tasty price league, so why is it that all these professionals are choosing Vandoren? It really boils down to the sound that comes out when you blow, which to the professional is the only major issue. For us mere mortals though, there are another couple of points to consider- how many of these 10 newly purchased reeds actually work properly, and how long will one last before I have to change it? I've played on both these brands of reeds over the 20 and a bit years I've been playing this instrument, and I believe that Rico are more consistent in the strength grades they put in the box, and they last for the same length of time as Vandoren's, but whereas a box of Vandoren sometimes produces a really stunning beautiful reed, a box of Rico never does.

When you buy a box of reeds, it is quite normal to find that some of them just won't work. This is rather annoying, (especially if you're paying more than a pound a piece), but it's a fact of life. The cane is rigorously tested by both companies, and left to mature for a considerable time, but nothing can stop the cane from becoming slightly modified once it's been packaged up in its box. My personal average from Vandoren is 50% usable reeds per box, while Rico usually gives me 7 or 8 that are playable. So, in effect, they work out even cheaper than you'd bargained for. I think that Rico's testing technology is perhaps superior to Vandoren's, to produce these results. They are more effective at eliminating inferior cane earlier in the process, before it actually gets in the box. In my mind there is no doubt that Vandoren Reeds sound better, but the large difference in price is not justified by the small difference in sound. Going back to my earlier point about the quality of!

my early attempts at the clarinet, I should point out that playing on the correct strength of reed, (and one that isn't too old), will ensure an acceptable sound from anyone. So how to find the correct strength? Read on!


How Strong is your Jaw?

Rico Reeds come in strengths 1-5 (not all brands do). If you're a complete beginner, buy a 1, a 1.5 and a 2. (You can buy reeds singly, both online and in shops. Some shops let you try the reed out before you buy it just in case it's a duffer (see above), but not all of them.) Try the 2 first. If you produce a sound quite easily and without pain, congratulations! You've found the right strength. If you find it takes lots of breath to get a note and you can hear air escaping from the side of your mouth as you blow, the reed is too hard. Try the 1.5, and repeat the process. Remember that with clarinet reeds, the only way is up! When you have been playing on your 1.5 for some time, try the 2 from time to time. Don't play for too long, as your jaw will tire easily and you may bite into your bottom lip. If this happens, your mouth will be too sore to play until it's healed, and you'll have to start with a softer reed again. Gradually increase your playing time, until you can play on the 2 with no problems. Then move on to the 2.5, and repeat the process.

If you stick with a softer reed once your jaw muscles have become stronger, your sound will deteriorate. Playing on a soft reed produces a buzzy kind of tone and can sound flat. Higher notes on the instrument are more difficult to reach with a softer reed, which is another reason why you need to climb that reed ladder! Sometimes reeds are a little bit too hard or a little bit too soft, without being impossible to play on. You don't have to chuck them away in cases like this, you can "doctor" them slightly to make them more playable: if the reed is too soft, trim a VERY narrow (hair's breadth) strip from the tip of the reed with a sharp knife. Or push another reed between it and the mouthpiece of the instrument, pushing it away from the rectangular hole in the mouthpiece slightly. If the reed is too hard, you can sand it a little. Use a piece of 220-grain sandpaper. Rub just a little, then test the reed- a tiny rub can produce a large difference (which is why they don't always get it right in the factory- it's a precision art!)

Breaking in Reeds

All new reeds need to be "broken in". They won't produce a consistent sound until they've been used a few times. Rico reeds are faster to break in than Vandoren. You need to wet the reed (in your mouth or with water- I prefer my mouth, but Rico advise water, as some people have very acidic saliva apparently, eeww), then play on it for just a few minutes each day, until the sound becomes consistent. It's good to have a few reeds "breaking" as you never know when you'll need a new one.


Replacing Reeds

It's easy to tell when your reed needs replacing- after serving you well for a week or 3 (depends how much you play), one day it'll just sound rubbish, completely different to the last time you used it. Every time it goes in your mouth the reed is getting attacked by various germs and other organisms, and your saliva begins the process of breaking down organic matter ready for your tummy, so it's no wonder that they don't last forever! Another obvious sign that you need a new reed is when you accidentally slice it in half while attaching it to the instrument, a tragically common event. (It's held onto your plastic mouthpiece by metal band called a ligature. This has quite sharp sides and if you're not careful it'll cut right through in one go. Don't worry though, I've never heard of anyone cutting their finger on one!)

Arundo Donax

This is the technical name for the reed plant which Rico and Vandoren use to make their reeds. It grows in India and the Mediterranean, and can get as high as 6 metres tall. If you live in the right climate you can grow it in your garden, but I wouldn't suggest trying to grow and make reeds yourself from scratch, although some fanatics do.....

Other Types of Reed

For the standard clarinet, you will be buying B♭ clarinet reeds. It's unlikely that you would buy the wrong reed size, as this is what 99% of people play on, but just for the record, there are also E♭ and bass clarinet reeds. E♭ reeds are for a smaller instrument, and bass clarinet reeds for a beast of an instrument, so neither will fit. The A clarinet takes the B♭ reed, as it is only very fractionally bigger than the B♭ instrument. (Orchestral players need two instruments, an "A" and a "B♭"; see for more on transposing instruments).

Final Verdict

The Rico clarinet reed is a great choice for the amateur player. They are reasonably priced, reasonably consistent within the box, and produce a nice sound. They are easy to get hold of and excellent value for money, especially if you frequently slice them in half! If you want to get serious on the instrument, you should probably move on to more expensive reeds from Vandoren.

Romancing The Stone Film Review

Romancing the Stone is an American 1984 action-adventure film.Directed by Robert Zemeckis, it stars Michael Douglas, Kathleen Turner and Danny DeVito. This film was one of the best adventure/humor movies of the eighties. Not only did it boost the star rating of Michael Douglas, it helped launch Kathleen Turner into stardom. It also was Robert Zemeckis's first box office hit as a director.

The plot of the movie revolves around romance writer Joan Wilder, played by Kathleen Turner, who travels to Colombia to find her kidnapped sister. In time she falls in love with a soldier of fortune [Michael Douglas] and the two become romantically involved as they search for a precious stone which the kidnappers want.

The beginning of the film shows Joan receiving a package from her dead brother-in-law. Soon after the package arrives she gets a frantic call from her sister Elaine[Mary Ann Trainor] informing her that she has been kidnapped and needs the map from the package as ransom. Joan flies down to Columbia but she gets lost on the way to her destination. But eventually she runs into Jack T. Colton [Douglas] and offers him some money if he would help her find her way to Cartagena. He helps her to elude a few unsavory characters who seem to be following her.Oneof these villains just happens to be the leader of the secret police who is responsible for her brother-in-laws death. The other two zany characters are Ralph [Danny DeVito] and Ira [Zack Norman].

Jack uncovers the map that Joan is carrying and after some convincing she agrees to go after the treasure. They agree that after finding the treasure they can then give the worthless map to the kidnappers. After some unbelievable escapes, they eventually find the treasure which turns out to be an enormous emerald called the malevolent. Zolo and Ralph steal it from them but then the Colombian police show up. After getting the stone back from Ralph, Joan and Jack get separated but agree to meet at Joan's hotel in Cartagena, but when Jack doesn't show up, Joan starts to get worried.

She then meets her sister's captors[Ralph and Ira] and turns over the map. They are interrupted by Zolo who knows that the map is worthless. Zolo's men are holding Jack who refuses to disclose the location of the emerald. Zolo uses Joan as bait and tells Jack that if he refuses to disclose the emeralds location he will be forced to feed Joan to the crocodiles. Jack relents and gives up the gem and tosses it towards the crocodiles.Zolo catches the stone but his hand, along with the gem, ends up in one of the crocodiles stomach. A gunfight ensues between Zolo's men and Ira's men. This allows Joan, Elaine and Jack to escape. After a prolonged fight with Zolo's men, Ira and his men escape, but Ralph is left behind.

Zolo catches Joan and Elaine. Joan tries to kill Zolo with his own switchblade,but Zolo blocks the thrown knife with a piece of wood. After Elaine faints from the sight, Joan pleads for Jack's help. He must decide whether to save her or hold onto the croc which has ingested El Corazon. He decides to try to save Joan by scaling a rock wall to reach her. However, he arrives moments after Zolo falls into a pit full of crocodiles. Seeing that the women are safe, Jack leaves to pursue El Corazon once more.

Joan then returners home to New York where she is confronted with lonely feeling towards Jack. She writes a hit novel based on her recent adventures. But one day, as she is returning home she is confronted by Jack,who is wearing crocodile skin boots, waiting for her in a sailboat that is parked on the main street in front of her apartment. It seems that Jack managed to catch the croc who had swallowed the gem. The croc had suffered a fatal case of indigestion from swallowing the gem. The ending is a not so typical love story showing Joan and Jack kissing on the deck of the Angelina, which was named for Joan's fictional heroine, as the trailer that the boat rests on drives off into the streets of N.Y. City.

A different corner

You are cheated on in a relationship but you try to convince yourself it's all ok. However something in the back of ones mind keeps repeating the truth.Everyone knows, nobody shows and the hurt still grows:

I don't know what to think sometimes
Coming home is such a painful drive
Door opens, you greet picture perfect fine
but I see another none too shy

Telling me with a smile that shines
same old guests are again coming tonight
Guess it's a sign of the times
when you can play before haunted eyes

What good is violence to me now
what good is silence to me now
What good is turning a different corner today
when I saw what I saw yesterday
Can't turn back the clock anyhow
what good are you to me now?

Doorbell strikes to hit right on time
Last to know I want to die
I'm getting tired of reading signs
Getting tired just like his wife

What good is silence to me now
what good is violence to me now
What good is turning a different corner today
when I caught what I caught yesterday
Can't turn back the clock anyhow
what good are you to me now?

I can't and I don't
I don't and I won't
I won't and I shan't
I shan't because i can't believe you anymore

What good is violence to me now
what good is silence to me now
What good is turning a different corner today
when I saw what I saw yesterday
Can't turn back the clock anyhow
what good are you to me now

Musical Career

Beginning a musical career can be difficult if you do not know how to break into the mainstream industry. Everyone has dreams and yours are no less important, but unless you know the right people to contact or the best businesses to approach, you could be left floundering in one spot, unable to move forward and unable to go back. If you are looking to carry your singing, acting, performing, or unique career forward to the next level, you will need to know what kind of people to consult and where to go.

Depending on what exactly you are searching for you should find an excellent music consultant. There are companies locally that are available to assist you in determining what music would best suit you, or how to best go about presenting your music you have either written or had written for you. Your performance is directly related to your ability and your presentation and if you have someone that is qualified in that aspect, it will help to move your career further ahead in the right direction that much faster.

The ins and outs of the music industry can be extremely overwhelming to the layman and offers no respite to singers and performers alike, regardless of your talent. You need a music industry consultant to help you understand everything you will be involved in and help you keep a fresh perspective on what will be involved in your journey to the top. With their help and assistance you will be able to better understand everything surrounding your endeavors. Although they can only show you the way to a certain limit, their input will be helpful toward setting your goals and accomplishing them.

Looking at things from the other end of the business spectrum, engaging the assistance of a music business consultant is another excellent way of getting a handle on the music industry from a business perspective to better fulfill any goals you are trying to achieve. There are various fronts to the business aspect of music, and knowing the right people can raise your chances of succeeding. The business end of show business can be confusing, but hiring the right consultant can put you in a better place to understand and use the benefits to move up and forward toward the career you desire.

Keep these in mind when you are beginning your music, singing, or acting career. There will be many ups and downs during your journey, why make them any more difficult than necessary?

For Romance Without Any Stress, "Sleepless in Seattle" Is the Cure

If you were celebrating Valentines Day with a candlelight dinner for two at home and settled in to watch a movie, "Sleepless in Seattle" would be a great choice because it provides a pleasant experience and is already becoming a romantic comedy classic.

Your parents or grandparents experienced a similar story line in the now classic "An Affair to Remember" that was released in 1957 and paired Cary Grant and Deborah Kerr. Their characters fall in love and agree to meet in 6 months at the Empire State Building in New York.

Sleepless in Seattle, released 36 years later in 1993, pairs Tom Hanks as Sam Baldwin and Meg Ryan as Annie Reed. Sam is the recently-widowed father of 8-year-old Jonah Baldwin (Ross Malinger), who calls a nationally-broadcast radio talk show in an attempt to find his lonely father a partner.

A somewhat reluctant Sam talks to host Marcia Fieldstone and thousands of single women across America are suddenly drawn in to Sam's sense of love for his former wife, each wishing she could be as cherished as Sam's next special person. To wit:

Doctor Marcia Fieldstone: Tell me what was so special about your wife?

Sam Baldwin: Well, how long is your program? Well, it was a million tiny little things that, when you added them all up, they meant we were supposed to be together . . .and I knew it. I knew it the very first time I touched her. It was like coming home . . . only to no home I'd ever known . . .I was just taking her hand to help her out of a car and I knew. It was like . . . magic.

If that dialog does not melt every woman's heart she would need to go straight to "The Wizard of Oz" and receive a new transplant. Soon Sam is getting thousands of letters from wannabe partners, all of which are read by his son Jonah, who decides that "Annie" is the best choice.

Annie is engaged to marry Walter (Bill Pullman). Should she do so she would be making the first great mistake of her life. Walter is a decent enough chap, but Annie is missing any sparks in their relationship because Walter has the personality of an ashtray.

Annie goes to great lengths to meet Sam, flying from New York to Seattle only to discover Sam with another woman, whom she mistakes for a love interest. She never mails a letter she has written to Sam, but her friend does. In it she proposes to meet Sam on top of the Empire State Building.

Sam is not interested in going, but his son Jonah is, so, with the help of his new friend whose parents own a travel agency, he is able to book a flight to the Big Apple and ends up on the observation deck of the Empire State Building looking for Annie. Sam, in a panic, to find his son, follows him to New York. The rest you will have to see.

Hanks is very convincing as a forlorn widower and Ryan was at her peak of being cute and innocent. The chemistry between the two, who only share approximately 2 minutes of screen time together, is great.

The role of Annie was originally offered to Julia Roberts but she turned it town. Kim Basinger, who was also offered the part, turned it down because she thought the premise was ridiculous. Just recently in the news, a youngster in Jonah's peer group did exactly what Jonah did, managed to book flight on a major airline and fly undetected. Life is indeed stranger than fiction.

The screenplay for Sleepless in Seattle was written in part by Nora Ephron, who also wrote "When Harry Met Sally" (another great romantic comedy with Meg Ryan and Billy Crystal). Ephron directed the film.

Ephron, David S. Ward and Jeff Arch (who did write the story) were nominated for an Oscar for Best Screenplay, and the film received another nomination for Best Original Song ("A Wink and a Smile"). Sleepless in Seattle also got Golden Globe nominations for Best Picture, Best Actor (Tom Hanks) and Best Actress (Meg Ryan).

Sleepless in Seattle cost $21 million to film and grossed $227 million worldwide at the box office, adding another $65+ million in rentals.

Tom Hanks is the gold standard in acting. He has been nominated for 5 Best Actor Oscars (Big, Philadelphia, Forrest Gump, Saving Private Ryan and Cast Away) and won twice for "Philadelphia" and "Forrest Gump". Hanks also has won 4 Best Actor Golden Globes for Big, Philadelphia, Forrest Gump and Cast Away.

His films have grossed more than $3.3 billion. He remains only 1 of 3 actors to have 7 consecutive $100 million domestic blockbusters; the other two are Tom Cruise and Will Smith.

Sleepless in Seattle is viewed by many guys as a "chick flick" but not by me. I consider it an outstanding relationship film with a great story line that proves to be a pleasant viewing experience every time I see it again. If a guy has ever been in love and felt the magic, he will appreciate this film a lot more.